PT in the Gulf DECEMBER 2005 REPORT
"Not
a light thing"
Over
Thanksgiving a playback theatre team comprising Paul, Mtume, and Kymbali, of
Playback (NYC) and Vanessa of Big
Apple Playback Theatre went to New Orleans and performed six times for different
audiences. The main invitation came from Common Ground, which organized a
gathering of volunteers over the holiday.
Despite the daunting physical conditions in New Orleans, the team performed, in
Paul's words, "the kind of playback we
seldom get to do--very rewarding." After the test of these performances, there
is no doubt that individuals in New Orleans
will respond to an invitation to tell their story and see it embodied on the
stage. According to the team, a common refrain was "When are you coming back?"
On Saturday, December 10, Laura
Flanders interviewed the team about their playback work in New Orleans on her
radio show for Air America.
The lessons of this first trip will be carefully
assessed as a second trip is planned in the spring. Meanwhile, volunteers are
making phone calls and establishing links to activists in New Orleans who
might help with the project.
Before that, the School of Playback Theatre is
offering a course for Persons of Color Working in Playback, in part as a way to
empower conductors for work in NOLA-like conditions. There is strong interest
in the course.
The
playback community has supported these efforts with wonderful generosity. Some
companies have sent proceeds from benefit performances and general operating
funds, including groups outside the US. Funds raised to date will cover
expenses for the first trip and some scholarships the Persons of Color course.
The School will continue to receive contributions for more scholarships and
expenses for the next trip to the Gulf.
The
extent of the tragedy to so many lives in the Gulf, the complexity of organizing
playback theatre there, and the sociopolitical realities of post-hurricane
reconstruction make the project intense and full of challenges. We are very
excited at the same time--at how much we are learning about how to bring the
deep value of playback theatre to where it matters most.
Jonathan Fox