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MARCH PERFORMANCES IN NEW ORLEANS

The players  Sipiwe Moyo, of Big Apple Playback Theatre (NY); Jiwon Chung, of Living Arts Theatre Lab (CA), Davis Rodriguez and Pamela Freeman, of Playback for Change; and Jonathan Fox, of the School of PT (NY)

The performances
  Audubon School (2 shows), Ashe Cultural Center, Upstage Theatre (Baton Rouge), and the Israelite Baptist Church


Photos by Sipiwe Moyo and Jonathan Fox


Features

>>The team rehearsed with the new NOLA playback theatre and included NOLA members in two of the performances

>>Documenters from the Neighborhood Story project, a local initiative, recorded performances and interviewed audience members

>>Counselors from the Tulane University Department of Social Work were on hand to assist tellers after performances

>>The team consisted of all persons of color, plus Jonathan Fox. Pamela Freeman conducted all shows.

The response  Tellers responded with great eagerness to the chance to tell their story and see it embodied on the stage, and there was a general feeling of gratitude afterwards.

A playback story  "My husband and I couldn't let all our belongings rot in our ruined house, so we decided to clean it out ourselves. The hardest thing was throwing away our kids' things, breaking up the crib. But we did it. Everything went out on the street. Except my grandmother's grand piano. Of all my brothers and sisters, it came to me in New Orleans. Now we've gutted the walls, the floor, the roof. But the members of my family cannot bring ourselves to touch the piano--not yet. Three keys still play. It is sitting there on a piece of plywood, in a house with no roof or walls. We still have to deal with it."

A performer's impression  
"This has been the most challenging and exciting playback theatre I've ever done. I felt overwhelmed at first, but once I realized we could do it, I'm just so grateful to be here doing what we can."

Reactions from the audience
 “When I was watching, it encapsulated the feelings that I tried to say…it helped move my story along.  I kind of thought, ‘What about my story? It needs to be heard, too.’ And this gave me that chance.”

“I liked it.  It was helpful. It’s quite eerie. They got stuff that I didn’t say to them…didn’t tell them about in the story…they did an excellent job.”

“Well, I just felt so comfortable with them that I opened up…this is the first time I told my story.  Thank you.”

Organizing Principles

Networking  
Making contact and building relationship with leaders of organizations whose membership we want to bring playback theatre to.

Programming 
Planning for performances and workshops.

Logistics
Arranging for travel, housing, on site transportation, food, and other practical needs.

Acquiring background
Reading background material beforehand, listening keenly once on site.

Fund raising
Obtaining funds to finance the project.

Sustainability
Initiating and supporting a local permanent playback theatre company.

Congruence
Insuring that the racial make-up of the pt team matched that of the majority of our audiences in New Orleans and holding a special workshop for people of color working in playback in preparation.
 

 


 

 

 

 

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Centre for Playback Theatre

Main Office
PO Box 714 New Paltz,  New York, 12561 USA
Tel: 1845 255-8163  Fax: 1845 255-1281
Email: playbackcentre@hvi.net

New York City Office
(sharing with Common Cause, NY)
155 Ave. of the Americas, NY, NY 10013 USA, 4th Floor
Tel: 1212-691-6421 x214
Email: playbackcentre@hvi.net